Saturday, August 14, 2010

Random Acts of Social Media

Hey everyone!

My friend and former writing partner, Dana VanDen Heuvel, who is CEO of Marketing Savant, produces a great email newsletter called Monday Morning Moxie, which has some great marketing tips. The tips are bite-sized so they are easy to implement, and they are worth their weight in gold.

The message is that if you are going to tackle Social Media, you have to be strategic about it. As the cliche goes: plan your work and work your plan.

Below are starting points to get you on your way to a successful social media experience.



  1. You’re going into a long-term arrangement. Time, work and commitment are required. Get this into your headspace and you’re set for battle. 
  2. Content. You need to become a publisher. That’s how you build your voice, your brand and your social media presence.
  3. Fish where the fish are. You NEED to UNDERSTAND your audience and where they hang out in social and digital media. Spend a day and start searching…and searching…and searching...
  4. Run it like a business. It’s not about having friends or followers. You HAVE to figure out how YOU will utilize social media to meet YOUR goals. Usually this means interacting, helping and then promoting, usually in that order. Innovate and then implement what works for you!



Success to you!!

Love,

Susyn

Saturday, July 31, 2010

Mental Health Break


Hi everyone. I took a bit of a break in July. First, Jeff and I took a vacation to Pittsburgh, PA and Dayton, OH from July 14-July 23, 2010. And, last week, I took a "mental health" break.

I'll be back in August.

In the meantime, enjoy this Dilbert cartoon.





Cheers.

Tuesday, July 6, 2010

Ellipses Vs. Dashes

Some more good advice from Lesly Kahn's blog:


Ellipses (. . . ) are not dashes. During ellipses (. . . ) no one says anything. Everybody thinks.

Dashes ( -- ) are cutoffs: you keep talking 'til the other actor interrupts.

Monday, June 28, 2010

The Universe

I love a lot of the things found on Lesly Kahn's blog. This is just one of the many juicy tidbits...

With self-confidence, the world bows to greet you and coincidence becomes your partner. And self-confidence comes from loving yourself. And loving yourself comes from knowing that you are, still, exactly who I most want to be. And so I am.
- The Universe

Sunday, June 27, 2010

It's A Numbers Game

I went to a fabulous CD Workshop with one of my favorite CD's recently, who re-affirmed the comment that acting is "a numbers game". Yes, the entertainment industry is a numbers game, just like every industry out there. In the actors' case, the more we audition, chances are good we will book more.

But, we have to be strategic with this to be effective, which means we have to have a strong foundation - a sound business plan, have a focus, be strategic and tactical (Dallas Travers calls it having a "laser beam focus - being targeted with our marketing) combined with a healthy pursuit of our craft (classes and practice). Otherwise, we are just spinning our wheels.


Being strategic and doing the hustle will get you from point A to point B much faster than being without direction.

Thursday, June 24, 2010

Changing Paradigms

Attached are some great articles about the Drama show runners and the Comedy show runners courtesy of THR.

It's interesting to point out that I had read another interview by a TV Executive Producer who indicated that, sometimes, casting is being taken out of the casting director's, and to an extent, the Producer's, hands so that even early-stage decision making is falling on the hands of the networks. Ultimately, the network does make the final decision on TV (or big-budget film) casting but at the early stages?

So, if this is in fact occurring should actors market and make themselves known to casting directors, producers and even studio executives?

This change is interesting in light of a recent Twitter discussion that occurred last week: some actors, agents and casting directors said that calling producers and agents was "dangerous". I don't know about being dangerous - I think walking alone in South Central LA might be considered "dangerous", but calling a producer?!

The sub-text of the comment I later found out was more of concern if the actor called a producer in hope of being hired, it would send a message of that actor being desperate and most definitely, being unprofessional. Also, if the actor did call the producer, what would the actor bring to the table to motivate the producer to speak with the actor? And, what if the actor wasn't ready to be seen or have a conversation with the producer?

These all are very valid points.

Ultimately, we as actors have this fear of somehow being "blacklisted" as a result of actions we might take that don't conform to the norm. The entertainment industry is just like any other industry, it is not some secret society. We make phone calls to follow-up on meetings, written communications that we send, and the like. However, developing relationships does take consistency (on the follow-up and follow-through), focus and professionalism to be effective.

But, what if the actor wants to develop a relationship with a producer and while they want to work with the producer in the future, they really just want to start developing a relationship with the producer?

My feeling is a lot of things have to occur prior to the phone call stage. But you shouldn't fear putting telephone calling in your marketing arsenal.

Consider these points prior to any contact - be it verbal or written...

1. The actor needs to develop a marketing plan so they are focused on their career. Do you want to focus on TV, film, stage, voice-over, commercial, etc.?

2. The actor needs to come up with a target list of TV shows and those individuals handling them. Are you interested in drama? If so is that procedural, drama, dramedy, etc.? Are you interested in comedy? If so, is that single-camera or multi-camera? What is your type? What shows frequently and consistently cast your type? Which casting directors and/or casting associates should you contact? Which producer(s) should you contact? How should you contact these people?

3. The actor must be professional in their communications. Be pleasant and gratuitous in your meetings with CDs and when you attend CD workshops. Send a thank-you note after meetings with CDs. Send letters to producers (don't send your headshot and resume, wait for them to ask you for it) addressing who you are, why you are contacting them and what you want. Be clear in your communications. Again, I suggest ONLY contacting producers to develop relationships.

4. Be consistent. Contact individuals at a frequency that you can commit to - that might be monthly, bi-monthly or quarterly for you. Only you can determine what is right for you.

5. Follow-up and Follow-Through. Commit and communicate on a regular basis (what you determined in #4). A telephone call could be a great follow-up to a letter you send.

My point is that any communication (self-submissions, post-cards, phone calls, etc.) is worth doing if you do it with focus and clarity.

Don't be afraid. Step out of your comfort zone.

Oh, and for the record, I have made some great connections via the telephone with producers and agents.

I want to know your thoughts. What do you think?


Cheers.

Thursday, June 10, 2010

Great Advice

Today was a day of some great advice.

What's the role of the guest star on episodic television? Elizabeth Banks considers the etiquette of a guest star to be "You're a guest in someone else's house and you have to act that way. I treat it as (if) I'm visiting someone's house for the weekend -- make the bed before you leave, be nice to everybody and know your place." Kristin Chenoweth, Gary Cole and Elizabeth Banks all chime in on the role of the guest star in this amazing article from The Hollywood Reporter.

I already posted the Emmy roundtable of drama actresses and here's the roundtable of the comedy actresses, courtesy of THR.


Great advice, indeed.